Alfaia
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Function in the group
The Alfaias or Bombos - as they used to be called - are the heart and soul of every Maracatu group. The alfaias are divided into 3 subgroups. The marcantes are the drums with the largest diameter, they play the basic pattern. The marcantes are most frequently represented in a maracatu group. The meião is the centre drum. It plays a complementary part to the base of the marcante. The repique is the smallest of the three sizes, usually has the most complex pattern and plays the solos.
Techniques
A good playing position is to stand over the alfaia with your knees bent slightly forward. It is important to hit the head close to the centre and to make good use of the rebound that the head provides. Volume is achieved with a powerful blow that quickly allows the head to vibrate freely again and develop its sound. The movement pattern of the left hand is striking. In a complex twisting movement, the left hand is first brought to the head and then back up again. Only with a lot of practice is it possible to place controlled strokes on the skin.
Group configuration
A recommendation for the distribution of instruments in a group of 12 looks like this:
1 x Gongue, 1 x Caixa, 1 x Tarol, 1 x Ganzá or Xequeré, 5 x Marcante, 2 x Meião, 1 x Repique
Patterns
Luanda Marcante
Luanda Meaio
Luanda Repique
Parada Marcante
Parada Repique
Martelo Marcante
Martelo Meiao
Martelo Repique
Tips and tricks
Maintenance
Goatskins are sensitive to moisture, which is why an Alfaia should be protected from moisture and heat. Leaving the drum unprotected in the car in the sun will quickly ruin the skin. Storing it in a bag or drum case buffers the changes in climate and humidity. If you freshen up the wooden shell from time to time with a good furniture or floor oil, this will give the surface a shine and protection.
Tune
Medium-weight goatskins are mounted on the Alfaia. The two tension rings are connected with a nylon or hemp rope. You can change the tuning of the Alfaia by tightening or loosening the tension cord. The cross tension then defines the pitch. There is a film that explains the tensioning process in detail. With a little practice, you will soon be able to bring the Alfaia to the desired pitch without much effort.
Beater / Sticks
The pair of beaters for the alfaia consists of two differently shaped wooden sticks. For the main hand, i.e. usually the right hand, a sturdy stick with a round, spherical head is used. The left hand, on the other hand, uses a stick of roughly the same length, but somewhat thinner, without a specially shaped round head. As this type of beater is not available everywhere, many alfaia players use simple wooden beater for surdos. In the past, a thin, elasticated stick, the "bacalhau", was sometimes used for the left hand. With this stick, the left hand produces soft or whipping sounds on the skin, which can give the groove a very funky character.
Strap
Traditionally, the alfaia is hung on a cord over the shoulder of the "weak" hand, so right-handed people hang the alfaia over their left shoulder. As the drum dangles relatively freely next to the body when carried in this way, a comfortable shoulder strap is used today. Asymmetrically cut straps are practical as they hold the instrument in the playing position. Hip straps with two hooks are also an alternative.
Head
An alfaia should have a natural head, usually a medium-thick goathead or a thin calfhead. This is the only way to achieve the warm, powerful sound typical of the maracatu. Synthetic heads are less susceptible to heat and moisture, but the drum loses its authentic sound.
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