Caixa de Maracatu
SambapediaPlaying
Function in the group
In the traditional maracatu, where rustling and shaking instruments such as the ganzá and xequeré were rare, the caixa provided the tonal counterpart to the bass drums. The caixas were usually divided into two distinct parts. The caixa de guerra and the higher pitched tarol played different patterns. This division is rarely found today. In maracatu estilizado, the caixa is often used as a signalling device to indicate a change in the musical sequence with a characteristic rhythmic figure.
Techniques
Depending on the playing position, it is advisable to hold the stick in a matched grip (both hands holding the stick in front of them in the same way) or in a traditional grip (left hand holding the stick loosely in the arch between the thumb and forefinger, fingers turned loosely inwards, right hand holding the stick as in the matched grip). Good stick technique is important for maracatu, as the patterns contain many rolls.
Traditionally, the patterns are played with the right hand, while the left hand contributes with soft fills for the typical swing. For fast and complex grooves, the 'hand to hand' technique offers more possibilities.
General info
Configurator
Old records of the maracatus in Recife reveal astonishing figures. 50 years ago, a maracatu group consisted of no more than 20 drummers. Groups of less than 10 drummers were not uncommon. A group of 10 would consist of 6 bass drums, a caixa de guerra, a tarol, a gongue and a lead singer. By the beginning of the 21st century, groups could consist of up to 100 percussionists, and the distribution of instruments has also changed. The high frequencies, once covered only by the caixas, are now shared by the abé (shekeré), ganzá and the caixas.
Tips and tricks
Maintenance
Because the caixa de maracatu takes a long time to tune and especially to change the skin, it is advisable to store and transport the instrument carefully in a bag or case. This will prevent damage to the percussion or resonance head.
Tuning
The pitch of the head and the resonator is achieved by loosening or tightening the string tension. Changing the string tension always affects the head and the resonance head. To change the head, the entire string tension must be loosened until the head can be removed and replaced with the new one. Some time is needed to tune or change the head. To give the caixa a crisp sound, you will need a few tools: a set of small screw clamps (at least 4, preferably 6) and shims. First of all, use your muscles to pull the tensioning rope to an even basic tension. Then place the screw clamps evenly on the wooden rings. (Don't forget the shims and be careful not to pinch the rope). Tighten the clamps and apply pressure to the heads. You can check the pitch of the heads in between. When you have achieved a sound that is slightly higher than the one you want, you have reached the string tension. Tighten the basic tension of the string again and adjust the skin tension with the cross tension of the string. Once the string tension is set, you can loosen the screw clamps. After loosening the clamps, the tension is set again.
Strap
Traditionally, the caixa is carried with a strap over the left shoulder. It then hangs freely in front of the body. This playing position requires a special technique. The complex patterns of the maracatu estilizado are difficult to play in this way. A comfortable playing position is achieved by using a hip belt with 2 hooks. In this position, with the drum almost horizontally in front of the body, it is easy to play with both the traditional grip and the modern matched grip. A more relaxed playing position can be achieved by attaching a leg rest to the caixa.
Sticks
The Caixa de Maracatu can be played with sticks of any length and thickness. When choosing the hardness of the sticks, it is important to remember that the instrument has a wooden tension ring. Hard sticks, e.g. made of carbon fibre, leave clear marks on the wood of the tension ring.
Heads
The diameter of the Caixa de Maracatu follows the international standard head sizes of 14', 13' and 12'. Any synthetic head from the major brands can be fitted. White coated heads are the most popular, as are synthetic heads that mimic the sound of natural heads.
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