Cavaquinho - product guide

The cavaquinho started its long journey around the world in Portugal. Not only because of its handy size it was a perfect travel companion for many sailors and globetrotters. The small 4-stringed instrument travelled via Madeira, the Azores, the Cape Verde Islands all the way to Brazil and further on to Hawaii where it became the Ukulele. In Brazil it is manily played in the Choro and Samba, either with a plectrum or just picked with the fingers. Whether used for solo parts or for accompaning vocals, the cavaquinho has become an elementary part of Brazilian music!

Traditional tuning: d'-g'-b'-d“ (ré'-sol'-si'-re") - the widely spread 'afinação natural'.
Modern tuning: d'-g'-b'-e" (ré'-sol'-si'-mi") - those of you who already play the guitar will probably prefer this way to tune as you don´t have to learn much new. With the modern tuning, the cavaco basically uses the 4 highest notes of your guitar one octave up, so simply play like on your guitar, but without the 2 lowest strings.

Depending on what the musician prefers, there are of course other personal ways of tuning.

Typically the sound of a cavaquinho varies between an ukulele-like thin, light sound up to the more voluminous, warm and full sound of a guitar. Those different types of sounds that originate from the way the instrument has been built and its materials, are commonly used to represent certain styles and their pieces. The materials used for building the cavaco are the most important factor of sound influence. For example, a cavaco with a solid soundboard will have a stronger and clearly more differing sound than an instrument with a laminated board. Top-class instruments are completely made of solid wood.

Of course the is a wide range of different cavacos. First they differ from eachother by their construction and the material used for building them:
- Body and soundboard made of laminated wood
- Body made of lamitated wood, soundboard made of solid wood
- Body completely made of solid wood

Definitively! Though it is difficult to make a general statement whether a tone is warmer or softer or more brilliant due to the cavaquinho´s construction. In any case, a high percentage of solid wood will provide a higher-grade sound quality. As in the case of guitars, for making the sound boards of cavacos, conifer wood is often used. Laminated wood is the cheaper version - no doubt, still, in terms of sound quality this version remains remarkable! Another factor of influence is the body sides and, of course, the processing of the instrument. The cavaquinhos we offer are all approved and of reasonable up to high-end quality made by renowned brands for the different needs of musicians ranging from the professional soloist to the cavaco-learner.

- acoustic (without pick-up)
- with piezo (passive)
- with piezo and additional volume- and sound control (passive)
- active sound control

Active vs. passive pick-up:

- active pick-ups have an integrated preamp, passive ones don´t.
- active pick-ups need electricity to function, passive ones don´t.
- active pick-ups are a bit more expensive, but therefore have clearly better sound quality, less feedback, practical integrated tunding devices and additional sound control systems directly on the instrument.

If you start playing a cavaquinho, you will quickly notice that already in a small pagode ensemble a little amplifying does not do any harm and is often quite necessary in order to stand out between all the percussion instruments and the vocals. If you invest just a little more, the electric version is practically essential. Anyone who has once stood on a stage with a bateria knows how much more fun it is to play a cavaco with a well reachable volume control button.

In Brazil it is unusual to amplify cavaquinhos with integrated microphones. The danger with microphones is that the pick-up is strongly influenced by the very loud percussion instruments. That is the simple reason why especially in Samba schools the most common and popular version for pick-up systems without nasty feedbacks and technical reactions is the piezo pick-up.

Another close friend of the cavaquinho family is the Brazilian banjo. It is actually not so different in it´s size and shape, but does indeed have a very different sound: Concise and a lot more percussive than a cavaco, rich middle tones, penetrating and a lot louder due to its resonator. Traditional instruments have a wooden neck and body, only the resonator is made of metall. The sound is transmitted through a goatskin head. You play and tune it exactly like a cavaquinho, typical for playing a banjo are the fast and percussive rolls inbetween.

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Average rating of 0 out of 5 stars

Timbal 14''x90cm blue
14'' x 90 cm timbal with 16 high-tension hooks, aluminium shellCrisp tuning, clear and smacky slaps, powerful open tones, rich basses – this model from the top brand Timbra with 16 hooks can withstand the highest tuning! Many Axé Pop bands, Samba Reggae blocos and also Samba schools in Rio have been following the trend of tuning timbals extremely high for quite some years. In order to better distribute the high forces that occur when tuning high and to avoid overloading the shell, the tension is distributed to the shell by using more hooks. An additional reinforcing ring helps to balance the pressure. The shell is built for tunings that would not be possible with a traditional timbal. Very well made instrument.More material, like tension hooks and reinforcing elements, naturally adds some weight. But once the timbal is on the stand on stage, the extra weight is no longer an issue – every gram is worth it for the sound! And with a good strap, you can still carry it comfortably as usual.A true visual standout and a tonal masterpiece, robust and high-quality, crafted in the authentic Bahian style – this timbal fits perfectly into diverse musical worlds, from Samba Reggae blocos and Rio style batucadas to Brazilian, jazz, pop, or world music bands.

€264.00*
New
Timbra

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Timbal 14''x90cm yellow
14'' x 90 cm timbal with 16 high-tension hooks, aluminium shellCrisp tuning, clear and smacky slaps, powerful open tones, rich basses – this model from the top brand Timbra with 16 hooks can withstand the highest tuning! Many Axé Pop bands, Samba Reggae blocos and also Samba schools in Rio have been following the trend of tuning timbals extremely high for quite some years. In order to better distribute the high forces that occur when tuning high and to avoid overloading the shell, the tension is distributed to the shell by using more hooks. An additional reinforcing ring helps to balance the pressure. The shell is built for tunings that would not be possible with a traditional timbal. Very well made instrument.More material, like tension hooks and reinforcing elements, naturally adds some weight. But once the timbal is on the stand on stage, the extra weight is no longer an issue – every gram is worth it for the sound! And with a good strap, you can still carry it comfortably as usual.A true visual standout and a tonal masterpiece, robust and high-quality, crafted in the authentic Bahian style – this timbal fits perfectly into diverse musical worlds, from Samba Reggae blocos and Rio style batucadas to Brazilian, jazz, pop, or world music bands.

€264.00*
New
Timbra

Average rating of 0 out of 5 stars

Timbal 14''x90cm orange
14'' x 90 cm timbal with 16 high-tension hooks, aluminium shellCrisp tuning, clear and smacky slaps, powerful open tones, rich basses – this model from the top brand Timbra with 16 hooks can withstand the highest tuning! Many Axé Pop bands, Samba Reggae blocos and also Samba schools in Rio have been following the trend of tuning timbals extremely high for quite some years. In order to better distribute the high forces that occur when tuning high and to avoid overloading the shell, the tension is distributed to the shell by using more hooks. An additional reinforcing ring helps to balance the pressure. The shell is built for tunings that would not be possible with a traditional timbal. Very well made instrument.More material, like tension hooks and reinforcing elements, naturally adds some weight. But once the timbal is on the stand on stage, the extra weight is no longer an issue – every gram is worth it for the sound! And with a good strap, you can still carry it comfortably as usual.A true visual standout and a tonal masterpiece, robust and high-quality, crafted in the authentic Bahian style – this timbal fits perfectly into diverse musical worlds, from Samba Reggae blocos and Rio style batucadas to Brazilian, jazz, pop, or world music bands.

€264.00*
New
Timbra

Average rating of 0 out of 5 stars

Timbal 14''x90cm blue bike
14'' x 90 cm timbal with 16 high-tension hooks, aluminium shellCrisp tuning, clear and smacky slaps, powerful open tones, rich basses – this model from the top brand Timbra with 16 hooks can withstand the highest tuning! Many Axé Pop bands, Samba Reggae blocos and also Samba schools in Rio have been following the trend of tuning timbals extremely high for quite some years. In order to better distribute the high forces that occur when tuning high and to avoid overloading the shell, the tension is distributed to the shell by using more hooks. An additional reinforcing ring helps to balance the pressure. The shell is built for tunings that would not be possible with a traditional timbal. Very well made instrument.More material, like tension hooks and reinforcing elements, naturally adds some weight. But once the timbal is on the stand on stage, the extra weight is no longer an issue – every gram is worth it for the sound! And with a good strap, you can still carry it comfortably as usual.A true visual standout and a tonal masterpiece, robust and high-quality, crafted in the authentic Bahian style – this timbal fits perfectly into diverse musical worlds, from Samba Reggae blocos and Rio style batucadas to Brazilian, jazz, pop, or world music bands.

€264.00*
New
Ivsom

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Frigideira stick
Twin-Tip polyethylene beater with metal tips – perfect for frigideira in Rio Samba bateriasLooking for the ideal beater for your frigideira? This twin-tip polyethylene beater with metal tips on both ends is specially crafted to bring out the unique, piercing, and ringing sound effects that make the frigideira an unforgettable addition to any Rio Samba bateria.The frigideira, an instrument resembling a tiny frying pan, delivers bright, resonant tones that add a playful Telecoteco rhythm to your Samba sound. This specialised stick is designed for the classic turning technique, allowing you to produce counter-movements and achieve those signature variations with precision.Handcrafted for durability and performance, this beater is essential for mastering the frigideira and standing out in your bateria. Whether you’re adding shimmering accents to surdo rhythms or creating dynamic transitions, this stick helps you perfect your sound.Take your samba bateria to the next level with this must-have accessory for frigideira players. A real show-stopper!

€13.99*
New
Gope

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Timbal stand
Practical, sturdy timbal stand – height-adjustable, foldable – Gopespecial stand for timbals with height-adjustable tripod legs. The stand is perfect for stage gigs and players who change instruments a lot.Padded ring (synthetic felt protective wrapping)height-adjustablefoldablecrossbars so you can put a foot on for more stable playinganti-slip feetIn the traditional blocos of Salvador da Bahia, the timbal plays a prominent role: it plays the intro and also calls, sets the tempo and prepares the bloco for the next piece. The show bands of the blocos (bandas) usually perform on stages and use stands of this kind for their timbals. Dimensions:Pack size feet with ring: approx. 70cm x 20cm x 40cmInner dimensions ring: adjustable, approx. 28cm - 30cmAdjustable playing height:70cm timbals approx. from 94cm to 100cm80cm timbals approx. from 102cm to 105cm90cm timbals approx. from 108cm to 115cmThe conical shape of your timbals may vary slightly depending on the brand and size, so there may be slight differences in the height setting. As a rough guide, the typical playing height is at about belly button height.Note:Depending on the surface of your timbal and ultimately also on the playing style, the instrument's shell may develop signs of wear around the area where it touches the rim.

€109.00*